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Posts Tagged ‘abstract’

Erika Ranee’s Green Rose at the Ground Floor Gallery

Tuesday, June 26th, 2018

Ground Floor Gallery is proud to present “Green Rose,” a solo exhibition of new works culled from Erika Ranee’s rich trove of abstract, mixed-media drawings informed by nature. This show is the Act3 of a five part exhibition series in celebration of the Galleries fifth anniversary. It opens on June 28th.

“It’s been reported that abolitionist Quakers in Maryland planted and/or wore green roses as beacons of safety for slaves along the Underground Railroad.I like the idea of nature as a beacon. It plays well with my works on paper as they explore the internal biology of plants and humans (in an abstract intuitive way, of course). I think of each work on paper as a journal documentation of energy and essence. Nature is the healer and neutralizer.” – Artist Erika Ranee

Susan Nelly curates Blooming Emotions at Rafael Gallery

Monday, October 2nd, 2017

Beatriz Elorza’s “Blooming Emotions” at the Rafael Gallery, is curated by Susan Nelly, and features two bodies of work by the Spanish artist. The abstract paintings are infused with the atmosphere and spirit of the two cities, New York and London, where the artist has lived and worked, and reflect, in vivid color and motion, her experience of their energies.

Elorza’s larger than life works present a wonderful conundrum, walking a tightrope between abstract and representational art, with the latter serving as a point of entry, inviting us to a deeper exploration of the emotional content. These compositions reference naturalist illustration in their focus on the subject and lack of fear of negative space, but the artist’s mark is pure New York School. Her works especially bring to mind the brightness and stripped-down clarity of the late paintings of Willem de Kooning. It is a wholly new synthesis of aesthetics that evokes an atmosphere of the wonder, infused with a sense of “deja vu.”

The exhibition is  is on view throughout the month of October. Opening reception with the artist October 3rd, 6pm – 8pm.

 

Marcelyn McNeil’s show Revising Making-Nice at Kathryn Markel Fine Arts

Friday, September 1st, 2017

Kathryn Markel Fine Arts is pleased to present Revising Making Nice, Marcelyn McNeil’s second solo show at the gallery.

Marcelyn McNeil’s latest large-scale abstract oil paintings react against the tendency to overly manicure work. While her strong sense of color remains, McNeil strives to loosen up and broaden her vocabulary. She combines poured paint, fades, and drawing to create new relationships between softer forms.
 
High-pitched color amplifies the energy that has always existed in McNeil’s work, but now there is a greater sense of playfulness, sensuality, and risk. The interplay of competing elements activates the paintings so that they nearly feel animated. They are exuberant yet quietly confident, fueled by off-kilter humor and anthropomorphism.
 
Yet McNeil is steadfastly a modernist in that she remains faithful to the flatness of the surface, eschewing modeling or linear perspective to create the illusion of depth through color and shape. Formalism moves freely in and out of her work. Her compositions appear both carefully considered and the result of intuitive exploration.  

On View September 7th – October 14th, 2017

Kathryn Markel Fine Arts presents BTW

Saturday, May 13th, 2017

Image courtesy of gallery Giotto’s lucid dream”

 

Kathryn Markel Fine Arts is pleased to present BTW, Deborah Zlotsky’s third solo show at the gallery. BTW, Zlotsky’s new series of abstract paintings, arose from an unexpected muse: a garage sale purchase of striped bed sheets from the 1970s.  The vintage sheets’ rich colors and repetitive patterns trigger a synesthetic response in Zlotsky, recalling her earliest memories of space, light and movement, and a childhood when sleep came easily, long before the all-consuming pull of electronic media. The stripes convey order and beauty, and a depth of references including the history of geometric abstract painting, the measurements of and fluctuations within human and geological time, and the way people stack and pile to process the everyday glut of items in their lives.

“I’m interested in how responsive actions eventually reveal structures and how a cycle of accumulation, rupture, and shift opens up a new syntax,” Zlotsky says. That language consists of flat areas of varying colors and sizes; the interruptions of paint drips, stains and abrasions; moments where the stripes transmute into volumetric planes and forms; and the addition of trompe l’oeil supports and prosthetics to prop up or balance the whole. The paintings materialize out of a friction between intention and coincidence, much like the daily processing and deciphering required to be in the world.

 Show is ongoing and closes June 17, 2017.

 

Susan Eley Fine Art presents Found in Translation

Tuesday, April 18th, 2017

Susan Eley Fine Art is pleased to present their spring show FOUND IN TRANSLATION a two-person exhibition featuring new paintings by Franco-British artist Sarah Picon, and paintings by Los Angeles based artist Chase Langford.

This is Sarah Picon’s second solo show at the gallery. Her intimate still lifes, portraits and landscapes evoke European Modernism in its many artistic styles and movements, glimpsed through a contemporary lens. In the South Gallery, the grouping of more than a dozen paintings include small works in acrylic of fruit or flowers resting on tables, portraits of women in profile or in contemplation and seated at a table.

Chase Langford has been featured in two group exhibitions at SEFA and one solo exhibition. The selected abstract paintings in the North Gallery are drawn from his Morphic series of biomorphic and organic forms, and his Del Mar series, featuring a more linear style, suggesting striations or waterways.  As we look at Langford’s paintings, a funny thing happens to the mind. We recall birds eye views of landscapes glimpsed from airplanes. But seen from a different vantage point, we could be looking into a cross section of a magnificent rock or gemstone.

The exhibition is from April 20-June 1, 2017 with an opening reception on Thursday, April 20, 6-8 PM.

CHASE LANGFORD, DEL MAR 20 (2017), OIL ON CANVAS, 36 X 60 INCHES

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